Kwanza Jones 'Bounce Rock Move' Press Release

Tuesday 19th August 2008

With the end of summer drawing near, it’s inevitable for us to envision tedious hours at the desk, cramped journey’s on the train with people that resemble mole-men standing closer than we deem appropriate, and of course, cold, dark nights creeping up on us at ridiculously early hours leaving us wondering where the day went. Fear not! With Kwanza Joneses ‘Bounce Rock Move’ the feeling of summer fun will always be near. A mixture of funk, rock and jazz, this catchy little number will send you toe-tapping in no time.

Born and raised in Washington DC, Kwanza Jones sang in gospel choirs while studying at Princeton University, before joining an electronica band. Kwanza later performed in funk and disco cover bands, and infused a variety of other musical elements, such as blues and jazz, to form a new and distinctive sound.

Self described as a promoter of female empowerment, Kwanza’s raw vocals and high energy is sure to lift your pre-winter blues!

WRITTEN FOR INNOVATION ENTERTAINMENT

Fallin’ Alone Press Release

Tuesday 28th October 2008

The hot new track from UK R&B sensation Haynzy is ready to hit the airwaves.

‘Fallin’ Alone’ is the debut single from talented new artist Haynzy. Produced by American hip-hop group Dipset’s Dial Tone, who has worked top-selling artists such as Juelz Santana, Joe Budden and Lil’ Wayne, the track encompasses smooth R&B vocals with a fresh pop sound and a fun club vibe.

Haynzy grew up with a background in gospel and soul, but was inspired by Craig David to pursue a career in R&B. After being signed to Rudo Music, the young singer developed his song writing abilities with producer Dial Tone and later moved to Blue Colla Records to pursue a solo singing career.

Having already worked with the likes of top UK producers such as Walter Harris and MOBO nominee Soundbwoy who produced the smash-hit ‘Never Wanna Say’, Haynzy is set to take the UK by storm.

The video for ‘Fallin’ Alone’ was recently shot by Darren B, who has worked with such artists as Sway, Keisha White and Ludacris, and is set to be on our TV screens early next year.

The CD includes a remix by Peacemakaz who have remixed songs by T-Pain and most recently Danielle Senior’s club smash ‘Take It To The Dancefloor’.

For more information contact:
Blue Colla Records CEO, A.K. ak@everyurbanthing.com

WRITTEN FOR EVERY URBAN THING

My First... Credit Crunch: Top 10 Tips On Making Savings

Monday 3rd November 2008

It’s a hard life for a student, and even harder for a graduate. And with the recent economic crash you may be feeling anxious as to how you will be able get through this daunting period of your life without breaking the bank. Never fear – with these top tips you’ll be well on your way to surviving your very first credit crunch!


1. Bring Back the Pack
Long gone are the days of the packed-lunch. You’ve traded in the homemade sandwich and apple in your favourite tin box and opted for the posh avocado wrap and caramel macchiato. But with cafes and sandwich retailers charging high-end prices, you’d be amazed at how much you could actually save if you didn’t go out for lunch. So, rather than spending up to £10 a day on a sandwich and drink with a snazzy name, why not got back to the pack and prepare a meal at home that you know you’ll be guaranteed to enjoy!


2. Be Fashionably Early
We all know the early bird catches the worm. And in this case it couldn’t be truer! Feel like a night out on the town but don’t want to spend up to £15 on entrance fees? Many London clubs offer free entry to those who arrive before 10pm, and most even offer free entry to girls all night! Arriving early may not only save you cash, but you can also take advantage of any special offers on drinks that are bought before a certain time. Happy Hours offer a range of drinks as low as half off the normal price, and sometimes offer special discounts on jugs for you and your pals to share!


3. Frugal Films
If you’re not in the mood for shaking a leg, why not catch a flick at your local cinema? But rather than going to a late-showing, try to get there before 5pm as prices can be as low as half off peak-time prices. Also, check out any special deals that might be on offer – ‘Orange Wednesdays’ or ‘Two Pound Tuesdays’ are just some of the promotions that can save you cash. Another important tip is to stay local, as prices tend to skyrocket the closer you get to the city!


4. Chuck That Car
We all know how fun it is to drive your own car - you get to cruise the streets in your hot whip while pumping out your favourite tunes. But what many of us don’t think about is the amount of money it costs to actually do this. Fuel, maintenance, insurance, parking… It’s any wonder how car-owners can afford to spend their money on anything else! So, instead of allowing a car to guzzle all your hard-earned cash, why not use an alternative way of travelling? Public transport is the most effective way of travelling in and around London, and in most cases will get you to your destination a lot faster than you would on the road. The bicycle is also making a comeback with more and more commuters using specially designed cycle routes for fast and efficient travel, not to mention getting you fit on the way!


5. Use Debit, Not Credit
One of the most popular reasons for financial hardships amongst graduates is the credit card! Do not get one unless it’s absolutely necessary – which in most cases it’s not! The buy-now-pay-later idea may be tempting, but unless used properly credit cards can lead to large amounts of debt. The best option is to go debit. Using what you have can prevent you from overspending, and may even encourage you to think before buying! Debit also allows you to easily keep track of your spending and stay on top of your balance.


6. Look Before You Leap
It happens to all of us - you’re in the queue at a newsagent and decide to buy that tempting chocolate bar at the till, or you’re browsing the shops on your lunch-break and buy that funky t-shirt that caught your eye. It may only cost a little, but it all adds up in the end, and by impulse buying you could be throwing your money away on things you don’t necessarily need or even want! So, make it a point to only buy things that are truly essential.


7. Think Outside the Box
Just because you’re trying to save your pennies doesn’t mean that you have to spend your days off in front of the TV at home! There are so many free things to do in London you’d be amazed you never knew about them before. Try visiting museums – the Natural History Museum holds fun exhibitions such as dinosaurs and strange animals you thought only existed in films, the V&A and the British Museum have some of the world’s most treasured discoveries, and the Science Museum holds some of the greatest inventions known to man. There are tons more free museums in London as well as art galleries and exhibitions, and various festivals and events are held year-round. Check your local paper, or visit Time Out and Visit London to find something that suits you!


8. In for a Penny, In for a Pound
One of the most efficient ways of staying on top of your money is to save, save, save! It’s hard enough to create a budget and stick to it, so the best way to save money is to open a separate savings account and put away a little each month. That way, no matter how much you’re spending, you’ll always have something on the side slowly accumulating. You never know when you might need it for a rainy day!


9. Don’t Buy - Borrow
It’s a little known fact that most libraries offer free rental on DVDs. So, instead of spending up to £30 on buying a movie, or spending £10 a week on renting one, why not visit your local library and borrow it for free!


10. Hit the Pavement
For most of us, keeping fit is an integral part of our lifestyle. But, when money gets tight, it can become difficult to pay for your monthly membership. Rather than spending up to £50 a month towards a luxury that you may not necessarily need, why not workout at home? Investing in a one off payment for a set of barbells or an exercise bike can prove to be just as effective and won’t include the cost of travelling to your local gym. Another option could be to go running around the block or in your local park, which in a lot of cases proves to be far more effective than using a treadmill!

PUBLISHED IN GRADUATE MAGAZINE

International Women's Month

Tuesday 17th February 2009

It’s International Women’s Month and London is already abuzz with female empowering activities and events to come! ‘But, what is International Women’s Month?’ you ask yourself? Read on and Xcel will clue you up about the month all geared towards girl-power!

WHAT’S IT ALL ABOUT?
International Women’s Month is a worldwide event held every March that marks the celebration of economic, political and social achievements by women all over the globe, which incorporates International Women’s Day on March 8th.

The idea of International Women’s Day was conceived at the turn of the 20th-century when industrial growth and soaring population led to protests over working conditions, particularly amongst women. Oppression and inequality drove women to become more vocal about campaigning for change, and in 1908 a whopping 15,000 women marched through New York City demanding shorter hours, better pay and voting rights. The march had such a powerful effect that the Socialist Party of America declared the first ‘National Woman's Day’ on February 28th 1909.

One year later, an international women’s conference was held in Copenhagen, Denmark where Clara Zetkin, the leader of the Women’s Office for the Social Democratic Party in Germany, proposed the idea of an International Women's Day in which every country would hold a celebration in honour of the movement for women’s rights. The idea was met with a unanimous vote from 17 countries and International Women’s Day was officially established.

Following the vote, one million people around the world held a demonstration demanding the rights of women in the hopes to end discrimination, which consequently spurred the growth and recognition of International’s Women’s Day.

International Women's Day was later transferred to March 8th in 1913 and has remained the global date ever since, with over 10 countries marking it as an official holiday and large-scale events held in many other countries all over the world, all in the name of celebrating the continuing achievements of women!


HOW CAN I GET INVOLVED?
There are many events around London to take part in that commemorate International Women’s Day, such as exciting workshops, inspirational lectures and powerful discussions. Below are great events this March that you won’t want to miss!

Million Women Rise March & Rally
Date: 7th March 2009
Time: 12pm - 6pm

A women-and-children-only march that starts in Oxford Street and ends in Piccadilly Circus that aims to empower and unite females, as well as to demonstrate an end to male violence against women, with a rally held at Waterloo Place post-march to celebrate.

Visit www.millionwomenrise.com to find out more.


Birds Eye View Film Festival
Date: 5th – 18th March 2009

The nationally and internationally acclaimed film festival takes place at the BFI and showcases the best features, documentaries and short films made by women filmmakers around the world. The festival also includes training programmes and workshops that focus on technical and creative skills, with fun parties to attend at the close of each day.

Visit www.birds-eye-view.co.uk to find out more.



Global Women
Date: 14th March 2009
Time: 11am – 5pm

A free day out for women, which includes fun activities, entertainment, speeches, as well as The 2009 Unsung Women's Awards, plus much more.

Visit www.haringey.gov.uk/index/council/how_the_council_works/equalities/equalities_diversity_events/iwd.htm to find out more.


WHAT’S THERE TO SEE?
If you don’t feel like getting stuck-in to the festivities but prefer to hang back, there are plenty of equally exciting things to see that don’t involve active participation. Check out some of them below.


Not a Feminist Art Show!
Date: 4th March 2009
Time: 19.30pm – 10.30pm

Sixteen artists exhibit an exhilarating and diverse collection of artwork that ranges from painting and sculpture to video and photography, which aims to raise a discussion about the word ‘feminism’.

Visit www.notafeministartshow.com to find out more.


Celebrity Funny Women
Date: 8th March 2009
Time: 6pm – 8.45pm

Supported by ActionAid, popular celebrity hosts are trained by well-known female comedians and given the daunting task of performing live stand-up comedy onstage at The London Studios in a challenge to become a Funny Woman.

Visit www.funnywomen.com to find out more.


Tina Turner Live at the O2
Date: 8th March 2009
Time: 6.30pm – 9.30pm

Female icon Tina Turner performs live at London's O2 for an explosive show. A true survivor, Turner will perform such hits as ‘What’s Love Got To Do With It’ and ‘We Don’t Need Another Hero’, which is sure to be an inspirational way to celebrate International Women’s Day!

Visit www.theo2.co.uk/event/tina-turner-20090303.html to find out more.

PUBLISHED IN XCEL MAGAZINE

Chris Brown: From Brown To Breezy

Friday 5th September 2008

The young boy from Virginia has come a long way in just three years. After smashing the US charts with his debut single ‘Run It’ at the tender age of sixteen, he is now transforming into a young mogul, with a second platinum album under his belt, an acting career, as well as a new foray into fashion designing.

Born on May 5th, 1989, Christopher Maurice Brown was raised in the small town of Tappahannock by mother Joyce Hawkins and father Clinton Brown. Influenced by the music his parents played on the radio, Brown would imitate artists such as Sam Cooke, Donnie Hathaway and Stevie Wonder. A dancer at the age of two, it wasn’t until he was eleven that he wanted to combine both his singing and dancing talents. “I was eleven and watching Usher perform 'My Way', and I started trying to mimic it. My mom was like, 'You can sing?' And I was like, 'Well, yeah, Mama!'”

At thirteen, Brown was discovered by a local production team at his father’s gas station, “My dad was working at a gas station and a dude came in and said, 'I want to find some guys that can sing or rap or dance,' and my dad said, 'My son can sing!' So he hooked it up with my mom, and I said, 'I'm going to start working with this guy.' He had connections with producers and other production teams.” After being picked up by the team, he moved to Harlem, New York and stayed with a friend’s family to work on his career. Brown soon auditioned for Def Jam’s Vice President, Tina Davis, and was sent to perform for songwriter and producer L.A. Reid. He was later signed to Jive Records when he was fifteen.

His self-titled album was released on November 29th, 2005 and shot straight to number two on the US charts. Later that year, Brown received two Grammy nominations for Best Contemporary R&B Album and Best New Artist. When asked how he felt about his first nominations he confessed, “I was actually under the weather when I first heard it, but I was so amped and excited!”

After touring with Beyoncé and Ne-Yo in 2006, Brown began working on his sophomore album, Exclusive, which was released on November 6th, 2007. A much more mature album, Brown explains, “I'm 18 in this album. I'm not losing fans, and I'm not disrespecting women, but you reach the maturity of taking it to the next level with a girl.” He adds, “I am still going to keep it so my younger fans can continue to listen to my music, but I got a couple of joints on there that's for some of the older people.”

On June 3rd, 2008, Exclusive was re-released as a deluxe edition, with four extra tracks added to the already platinum record. Brown describes the album as, “- something that not everybody can get. I feel it’s an album especially for my fans. It’s not for the critics or the haters, or people that get it just to fit in. It’s only for those who truly want to hear my music.” And with Brown’s second album comes a more hands-on approach to the creative process. “This time, I was more physically and mentally into the whole process,” Brown reveals. “I just jumped in head first and delved into everything. It’s another stepping-stone for me. Every day is a learning experience when you’re in the music industry. From day one, I’ve learned how to be a better artist, working on my music and with other people.”

Not only is Chris Brown dominating the charts, he has also made a niche for himself on the small and silver screen. In 2007, Brown made his film debut in Stomp The Yard and also appeared in the hit show The O.C. “I wanna be a mogul,” Brown explains. “I wanna be a singer, actor, entrepreneur, have a clothing line, be an executive. Everything!”

With success in both the music and movie biz, Brown is now dipping his hands into the fashion world, following the footsteps of such tycoons as P. Diddy and Jay-Z. He recently collaborated with New Era Cap Company to release his own line of fitted caps that he designed himself. “I was doing six individual hats, where they got me to personally design the hats. And so I got a chance to do something more for the kids and not necessarily go into ‘high fashion’ yet. This is more for the casual back-to-school kids, the everyday person that just wants to be casual.”

With so much talent at such a young age, it’s hard to imagine Chris Brown being anything but a star, but the nineteen-year-old insists that he’s still the same old kid from Virginia. “My personal life is the same. At the end of the day, this is just a job. I love what I do, and it's a great job, but it's like my alter ego. There's Chris Brown the singer, and there's Christopher Brown the down-home Tappahannock boy that plays video games and basketball and hangs out.”

So now, after such a rapid rise to the top, Brown reflects on his career so far. “I always imagined that I could be what I wanted to be, I just hoped that I could do it. I never knew how fast this would take off, so I’m just thankful for it.”

And Chris Brown’s advise to those budding stars? “Follow your dreams. Just make sure to have fun too.”


10 fun facts you didn’t know about Chris Brown:
•He got his first tattoo on his 13th birthday
•His favourite TV show is Heroes
•He can skateboard
•He has a pit-bull named Diamond
•He owns over 500 sneakers
•One thing he wishes he still had from childhood is his Batman pyjamas
•His favourite subject in school is maths
•His favourite dessert is strawberry cheesecake
•His zodiac sign is Taurus
•His favourite video game is Grand Theft Auto: San Andreas


What’s on Chris’s calendar?
Chris Brown has many things lined up for the future. Below are some sneak peeks into what he’s up to!

•Chris Brown is currently working on a new album entitled Graffiti, which is set to be released some time next year.

•Brown is also starring in two films - romantic comedy Caramel and sports drama Phenom. Both films are still in production and set to be released early next year.


WRITTEN FOR XCEL MAGAZINE

Eva Mendes Breaks From Rehab

Friday 7th February 2008

Eva Mendes has checked out of the Cirque Lodge temporarily, where she was being treated for issues not clarified by her representatives.

Several weeks ago Mendes admitted herself into the Utah treatment center, where fellow actress Kirsten Dunst recently checked in for an excessive and abusive lifestyle.
According to Us Magazine, Mendes’ rep stated, “Eva is attending to some personal business in Los Angeles and intends to return to complete her treatment shortly.”

Apparently, the Latin beauty was struggling with a well-hidden substance abuse problem, including cocaine use.

“She kept it all behind closed doors and wasn't really a mess in public,” her rep added.

Mendes’ rehab stint is one of the many celebrity rehab stories that seem to be sweeping entertainment headlines. Checking in and out of rehab could fast be becoming the next trend for celebrities in Hollywood.


PUBLISHED IN THE CELEBRITY CAFE

Lucas Strikes Back

Thursday 13th February 2008

Star Wars is back, but this time in CG.

George Lucas, creator of the Star Wars franchise, has completed a new, stylized, computer-animated feature film, concentrating on the intergalactic adventures of the characters that we all know and love.

Lucas said in a statement – “I felt there were a lot more Star Wars stories left to tell. I was eager to start telling some of them through animation and at the same time push the art of animation forward,” (from The Los Angeles Times).

Stemming from the popularity of the 2-D animated Clone Wars series running from 2003 to 2005, the new film, along with a brand new TV series, are set after the events of Revenge of the Clones and directly preceding the events of Revenge of the Sith.

Originally set to be released as a TV series alone, a last minute marketing decision opted to merge the first few episodes of the series together and release it as Star Wars: The Clone Wars movie in a bid to raise publicity.

The animated movie is set to open August 15th, and sets up for the animated TV series due to premiere this fall on TNT and the Cartoon Network.


PUBLISHED IN THE CELEBRITY CAFE

Nusula Nakayawi: Drawing a Path to Success

Monday 2nd February 2009

Ever thought of working in animation and spending your days sketching ideas for new cartoons? Well, 23-year-old Nusula Nakayiwa dreams of just that. Having graduated last year in Animation, Nusula took her first step on the path of becoming a professional animator by working for Little Airplane Productions, Inc. in New York, which has created and produced top children’s shows on Nick Jr., Playhouse Disney and most recently the BBC. ORIGINS sat down and spoke with the budding artist about her journey so far.


ORIGINS: When did you know that you wanted to be an animator?

I’ve had a pure love and talent for drawing from as young as five, so that creative side of me had always existed. I realised I wanted to get into animation when I was about seventeen. It was my first year at six-form and I had taken Media for the first time as a subject. I wanted to combine my drawing skills with this newfound interest in media, so together they equalled Animation!


ORIGINS: How were you formally trained in Animation?

Before I went on to do a degree in Animation, I studied a Media Diploma for one year. The course allowed me to try out different aspects in media such as Photography, Film & Video and Animation. It was a great way of finding out what I wanted to proceed with as a major. After that, I went on to do a BA in Animation at the University of Westminster where I was taught various practices and approaches to achieving animated work. The course was mostly practical based, which was useful as I discovered employers judge you based on what skills you have to offer, so it was very important that technical skills and software was the main focus in the course.


ORIGINS: What made you decide on doing an internship, and why in America?

Because no one will hire you unless you have some sort of experience in the field, or have really good connections! Going to university is not enough, so it was important that I went out and found work experience. Luckily, I managed to find an internship in America. I decided to do my experience there purely because the animation industry is much bigger. Also, I find that there are a lot more doors open to people in the creative industry abroad than there is here. I find Americans to be more open minded than the British media industry.


ORIGINS: How did you go about setting up the internship?

I started looking at various American animation companies online, like Disney and Pixar. I came across Little Airplane Productions, Inc. and emailed them. Luckily, they emailed me back and asked to arrange a telephone interview. I was absolutely ecstatic when I received that email! I had my phone interview and they asked me to come and intern for them over the summer. So, I sorted my visa through a sponsorship program and finalised my travel and accommodation.


ORIGINS: What did the internship involve?

I worked as an intern for two months, five days a week, undertaking various tasks ranging from making coffee to storyboarding. They had a morning meeting everyday where the producers and directors would go through the schedule outline of the day, and what goals had to be met by each team. I was introduced to the rest of the team as the new intern. There were about ten interns a day! I got a chance to work on some amazing things that contributed towards their shows. Not many interns got the chance, but I pushed on the fact that I was interested and good at what was required. I worked on storyboards for two episodes - from looking at the final script to putting the directions into visuals. I also had the chance to do touch-ups on some designs, as well as helping with designs for pitch bibles.


ORIGINS: Was there anything that you learned while you were there that really surprised you?

I learnt that animators were in different jobs so much; it occurred to me that when being an artist work is not always guaranteed! But, if you stand out amongst the rest and always meet your targets companies are more likely to keep you on.


ORIGINS: After your internship you started working for their London branch. What was that like?

L.A.P. had got a contract with the BBC to create a new TV series. Before I left Josh Selig, the director and founder of the company, asked me to come for an interview with my portfolio. I was shocked and in amazement! I undertook an interview with him and three other senior staff and they asked if I would like to work for them in the UK office as a production assistant and handle the research in the UK for the new series.


ORIGINS: Do you think that the internship was worth it? Were there any downsides to the experience?

Yes, I definitely think it was worth it! I learnt so much, more than I could have imagined, and it gave me a great insight into the running of a production house. It was also great because I got to interact very closely with all the departments and learned about how well they all work together. I found that I learnt a lot more adaptable skills at my work experience then I could ever at university. There wasn’t really a downside. It was one that was worth my time and money.

ORIGINS: Now that you’ve graduated and have professional experience under your belt, what’s the next step?

I have professional experience under my belt, but at the same time I'm still finding it extremely hard to find work! What I can say is that I try to maintain a positive attitude, and the key is not to give up even when things don’t seen to be going the way you planned. Right now my plan is to get my online portfolio up and running - this would give me a far better chance of getting a job, because when you are applying for creative jobs having an online portfolio increases your chances of being hired. It is also a great way to exhibit your work and show off the skills that you have. I am even seeking a bit more work experience, as it would be a great way to continue practicing my animation in a professional environment and hopefully build up some useful links.


ORIGINS: What do you see yourself doing in the future?

Ideally, I would love to be working for a major production house like DreamWorks or Framestore. I would love to work on development artwork and character design. Just to be a part of developing and designing something that people will watch and connect with gives me goose bumps! The ultimate goal would be owning and running my own production house - one that provides students and young people with the chance to get into the industry and equips them with the know how of how to move forward with their talent and skill.


ORIGINS: What advice do you give for people who are currently thinking about pursuing a career in animation?

I would definitely recommend anyone getting into animation to do work experience. It is one of the hardest industries to get into and the best way in is to make good connections and continuously build a name for yourself by working with people. An internship is a great way of going about it, because when you do land a good one it can teach you so much and give you great insight into how the industry works. From there you can hopefully build up your own action plan and possibly start something of your own, or even just get you on the right track towards your dream job!

For more information visit:
Little Airplane Productions, Inc.
www.littleairplane.com

Nusula Nakayiwa’s sample show reel
http://uk.youtube.com/watch?v=Dp2DScEqHOE


PUBLISHED IN ORIGINS MEDIA

Neesha Sharma: UK’s Urban Fashionista

Thursday 19th March 2009

Neesha Sharma has been fashion styling within the UK urban music industry for over 5 years, and has made quite a name for herself due to her daring fashion sense and her vivacious personality. Starting out in music promotions, Neesha networked her way to the top and has racked up an impressive resume along the way, working with big artists such as Keisha White and Amerie, as well as styling for various tours including Sean Paul, Kylie Minogue and 50 Cent. ORIGINS caught up with the fashionista to find out how she styled her way to the top.

ORIGINS: How did you get into fashion styling?

I studied fashion and ended up working in music through DJ Swing. I used to go clubbing a lot and he just was like, “I watch you all the time - you know all the words, you know all the tracks. You should go into music!” My first job was in specialist promotions, which was marketing and promoting records to specialist radio, pirate radio, street teams, a little bit of student press and student radio. I used to specialise in hip-hop and reggae. It was hilarious – when I used to phone up the radio DJs I couldn’t understand a word they were saying! From there I worked for Mark Morrison – I was his PA. Everything sounds greater than it is! He was a pain in the arse, but I learned a lot.


ORIGINS: How did you move from music promotion into fashion?

All the while I used to be out I used to make loads of clothes, or design stuff and have it made. People would always say, “You should do fashion.” How I got into styling, Mark had a girl group and they had a stylist, and they came into the office one day and they were like, “Oh my God, it’s you! We see you clubbing all the time; we love the way you dress! We’re sacking our stylist and we want you!” I didn’t really know how the whole game worked at the time, in terms of styling, but it went well – they were happy.

After that I used to work on the door at Sound and I met someone whose friend was a stylist and needed an assistant. Working on the door of a club you meet a lot of people! From that I learnt how styling worked – what you don’t see, you know. The running around, going to press offices, the begging, the borrowing, the lying - how physically demanding it is. From working with her I learned the groundwork. I was with her for a while and then one of her clients requested they sack her and employ me! And that caused a whole hoo-hah and then that was it!

From that point I started doing more stuff on my own, building up my portfolio, doing test shoots, meeting photographers, putting shoots together, networking, networking, networking!

ORIGINS: How would you describe your style?

The best! I would actually say I’m very adaptable, even in my personal style – one day I might be quite glam, one day I might be quite fashiony, one day I might be quite trendy. With my styling it will always be sharp, slick, and a little bit sexy. I believe women should look like women, and men should look like men. I do like glitz and glamour, you know. I like sex appeal.

ORIGINS: How do you style an artist? Is it what you want or what they want?

I would prefer to sit down with an artist, or have a conversation with them, and feel them out. For me, it’s really important to harness something from their personality. I don’t like to tell someone, “This is in fashion, you’ve got to wear it,” because I think you’ll look really contrived and fake, like you’re trying too hard. A lot of people look like that right now.

ORIGINS: Do you use the same methods when styling for a company?

To be honest, most companies come to you with a pretty clear idea! With a company there are certain things you’re tied into, and normally in those situations you’re working with a team. The problem with being a stylist sometimes is everyone and their Mum has a point of view, and you’re just there trying to appease everyone!

ORIGINS: Is most of your work based in London, or do you work abroad?

I haven’t been abroad a lot yet. I would really like to work in America. The money just isn’t here. Personally, my style is more in tune with the Americans – it’s a bit more daring, more sexy, more glossy. The budget’s there, the money’s there. Over here when you do black acts it’s almost frowned upon, whereas over there that is the culture. Maybe urban music isn’t big enough here. In America it’s mainstream.

ORIGINS: What are your plans at the moment?

I’ve just done the Phoenix video; there’s a girl called Danni Harmer – I styled her video and album shoot; the K.I.G. photo shoot; a few things for TV. With styling you constantly have to hustle. I was really busy in January and February but then you get times like now when it’s really quiet.


ORIGINS: Career-wise, have you got any goals that you want to achieve by the time your, say, 50?

To be honest, I would genuinely like to have an artist – I don’t want a big star, I just want someone now that’s on the verge – to be with them at the beginning, and then grow with them, you know, develop their look over time. I don’t want someone who’s big already because it’s more fun! It’s a challenge. Can I make them look hot on no money? It’s a bit more exciting, and a little bit more fulfilling.

ORIGINS: Looking back, has it been really difficult to get to where you are now?

For me everything was random. Nothing has been like I’ve really applied for it. All these jobs were random. I didn’t anticipate that working on the door of a club would lead to styling!

ORIGINS: How helpful was your degree?

I did Fashion Marketing, but I don’t think you can be taught style. You either have it or not. It’s very personal and objective. There are things that some people think looks great, and I think it’s horrid! You know, each to their own.


ORIGINS: Lastly, what advice would you give to people currently looking to pursue a career in fashion styling?

Don’t. Just joking! It’s not as glamorous as it might appear. You’re lugging bags around with you everywhere you go. You have to beg, borrow, steal. But on the other side you have a really good easy day! So I would say just not to give up, be focused, get out there and try and get work experience, meet as many people as you can. Believe in yourself, and develop your own sense of style. Try and work out where you want to fit in and get in in that world.

To find out more about Neesha Sharma’s designs and fashion styling, visit:

Luminary Fashion Styling
www.styledbyluminary.com


PUBLISHED IN ORIGINS MEDIA

Silver Screen: With Robert Powell & Friends

Saturday 7th February 2009

On a frosty night in Guilford, Surrey cinema history was reborn. Presented on an intimate stage in The Mill Studio at the Yvonne Arnaud theatre, UK legend Robert Powell and ‘70s actress Gabrielle Drake gave a whimsical account of the history of the silver screen from past to present. Written by sound-editor-turned-playwright Ian Fuller, who has worked on hit productions such as The Rocky Horror Picture Show and Notting Hill; Silver Screen takes a “nostalgic romp” through the roots of the movies.

Accompanied by the playwright’s nephew, budding actor Adam Bambrough, my first observation upon arrival was the amount of thinning hair and woolly cardigans present at the reception, and the array of surprised and almost proud smiles at the onset of ‘youth’ that had walked through the entrance. Not at all fazed by the fact that we were the youngest people there by generations, we proceeded to make our way to our seats. The stage was set with two chairs placed either side of a polished wooden table, which was laid out with a jug and two glasses of water – reminiscent of talk show Inside The Actors Studio. To the left of the stage was a grand piano accompanied by a stool and small music stand. As the audience settled in their seats, the lights dimmed and the show began.

First onstage were pianist Christine Croshaw and musician Clive Conway, flute in tow, followed by Gabrielle Drake and the show’s main attraction, Robert Powell. To my surprise both actors brought with them scripts, in which they proceeded to give an account through the first hundred years of “the talkies” in the form of a rehearsed reading, starting from the first film by the Lumiére brothers in 1895 to Britain’s well-loved James Bond in 2008. Powell later commented that the audience would “expect scenes and costumes” had they not been reading from scripts, and it was Fuller’s stylistic intention to provide an intimate and natural “storytelling” experience to the crowd.

The night’s highlights included excerpts from classic films such as Gone With The Wind and Casablanca in which Powell and Drake re-enacted the films’ most memorable scenes; as well as little-known facts about the fruition of Hollywood and the, at the time frowned-upon, creation of Walt Disney’s Mickey Mouse. The show ended with Hollywood’s best-known one-liners, leaving the audience in cinematic euphoria.

When the curtains closed, Fuller’s nephew cheekily described the evening as “gently entertaining”, which indeed it was. The mild humour and placid interludes of Chroshaw and Conway’s music surely provided a stimulating night out for our fellow OAPs, but would hardly attract the adrenaline-junkie of our generation. Nonetheless, Silver Screen may prove a treat for anyone with a specialised interest in film and cinema history, or a fun night out with Granddad.

Joe Budden ‘Padded Room’ Album Playback

Wednesday 11th February 2009

On Wednesday February 11th hip-hop lyricist Joe Budden’s album playback was held for his second-coming official record, entitled ‘Padded Room’. With already much anticipation for the delayed album, which was originally due to be released last October but was held back by Amalgam Digital due to “complications with the physical product”, industry-heads seemed eager to hear how Jersey Joe’s next instalment would compare to his critically acclaimed line-up to date.

Held in the basement of trendy bar Market Place in Central London the event, which was organised by RGS Entertainment and sponsored by Hip Hop Connection, drew a surprisingly mere handful of industry specialists, with Jump Off TV’s Ara, MTV Japan’s ex-VJ Ia, and Face4Music’s Charmaine Hayden present among the very few guests.

In a more networking-soiree fashion than an album-listening event, the afternoon progressed with guests milling about the room, sporadically perching at each table to chat and exchange business cards with fellow hip-hop experts, all the while with Budden’s vocals playing in the background.

However, amongst the schmoozing and chitchat, what could be heard of ‘Padded Room’ seems like a natural progression for the Harlem wordsmith, who used various unknown up-and-coming producers to make the record. The sophomore’s debut single ‘The Future’ featuring The Game, and ‘Now I Lay’ are two of the few up-tempo beats that grace the 13-track record. Powerful lyricism can be heard in songs such as ‘Exxxes’ and ‘In My Sleep’, two of Budden’s personal favourites, and are heavily contrasted by grittier beats like ‘Blood On The Wall’. All in all, amid his increased street notoriety over the past 5 years with underground releases due to continuing setbacks, this latest album has enough commercialism and edge to welcome him back into the world of the mainstream.

‘Padded Room’ is set to be released in stores on February 23rd.

PUBLISHED IN ORIGINS MEDIA

Angie Le Mar Exclusively Presents The Brothers

Thursday 16th October 2008

Top British comedian, Angie Le Mar, has received the honour of having one of her most successful playwrights, The Brothers, recorded to be broadcast on MTV Base later this month. Originally written as a radio soap for Choice FM, The Brothers garnered huge success and was subsequently developed into a theatrical production at the Hackney Empire. Much to her great surprise, the play broke records by becoming the fastest selling show at the Empire for 10 years.

The Brothers, which was Le Mar's written and directorial debut, centres around a male group of friends whose relationship is put to the test after a series of betrayals and deceit arise within their kinship. Le Mar described her inspiration in writing the story was due to her desire to see a more positive view of black males in the public eye, explaining that she felt there is currently too much emphasis on their relation with gun-crime and violence. Expressing her concern that black youth are not being exposed to an alternative way of resolving arguments, she stated, 'They need to learn how to deal with arguments in a better way. They need to understand that they can step back and say “that hurt” and it be okay. They need to learn to hug each other.'

The top-selling show is portrayed from a male point of view, in which Le Mar revealed she had some knowledge, having been raised in a household alongside male siblings. 'I have four brothers, so have been in an environment around men.' The comedian also revealed that she drew from the strong male presence in her life, particularly from her husband, her father, and her close friends. Yet, the British comedian confessed that she doesn't believe there to be a distinctive line between the way men and women feel. 'I don't think that men and women are all that different. If a father is not able to see his child, I think we all know how he's going to feel. We both hurt in the same way, so that's how I approached writing the story.'

Having already hit the stage with many shows, including the critically acclaimed Funny Black Women on the Edge, Le Mar compares her theatrical experiences to that of being with family. However, the radio DJ conveyed her initial apprehension in directing a cast of such successful British entertainers, among whom were Footballers' Wives star Chucky Venn, Jason Barrett, and So Solid Crew's Harvey, who replaced Richard Blackwood from the original cast. 'I was concerned about how the guys would take to me. I had to be like, “I'm not Angie, I'm the director. I'll be your friend during lunch, but now you have to do what I say!”' Despite her concerns, the cast worked well together, and took time out of their busy schedules in order to appear in the exclusive MTV taping.

With such a great response to her written work, Le Mar revealed what we will be seeing of the entrepreneur in the near future. 'I've got [another production] coming out next year, which will also be a book. I've got two books lined up. One will be sort of like an autobiography – drawing from my experiences.' Alongside this, Le Mar told us that The Brothers will be further developed into an eight-part series, as well as her sell-out show Forty to be filmed for the big screen. However, the comedian confessed that she hasn't lost her passion for comedy, despite her continuing success in writing. 'I've been writing for seven years, so I would definitely like to get back on stage. I miss the laughs.'

With an array of successes under her belt, and a ever-propelling career set for the future, Angie Le Mar is a huge inspiration to the black community in the UK. Having been asked what advise she would give to people aspiring for success in their own lives Le Mar declared, 'Just enjoy what you're doing. Whatever it is you want to do, enjoy it. I don't have a particular definition for success,' she confessed. 'It's a success that I'm breathing, a success that I'm here. In the mornings, I say goodbye to my kids, and in the evening I make them dinner. Some people strive just to do that, and I already am. So success can't really be measured.'

Yet, Le Mar advised to be aware of people intent on hindering your aspirations. 'People try to give boundaries or goals. They say, “Well, Angie Le Mar doesn't have her own TV show.” But, I never really thought of it that way. I don't have a TV show, but I have shows that are breaking the box office,' she stated. 'But, as long as you're honest and kind you'll make it wherever you choose to be.'

Catch The Brothers in its exclusive two-night showing at the Hackney Empire on the 24th and 25th October, with prices ranging from £15 - £20.

For more information, visit: www.hackneyempire.co.uk, or call 020 8985 2424.

PUBLISHED IN NEW NATION NEWSPAPER

Tribute to Daniel De Gale

Friday 24th October 2008

In an inspirational ceremony, Daniel De Gale was finally put to rest.

The service was held on Friday 24th October at the Croydon Parish Church, and was a celebration of the life and legacy of Daniel. The magnificent church was filled to capacity, proving what an inspiration the young man truly was, and gathered family and friends, as well as a few celebrities that worked alongside the 21-year-old during his incredible life, such as Sugababes star Keisha Buchanan, Ian Wright, ITN’s Alastair Stewart, and even the Duchess of York.

The ceremony incorporated many inspiring tributes, including a moving poetry piece by Mark Thompson, a scripture reading from Daniel’s lifesaving donor Doreen Carney, and a special performance by the London Community Gospel Choir.

Although a sorrowful occasion, the service had an air of pride and underlying happiness that Daniel was able to live the life that he did. In a heart-warming tribute by mother Beverley De Gale, she described her son as ‘an angel sent to make a change’, and a change he did indeed make. The service was marked with many other inspiring words from family and close friends of Daniel, as well as stories of joyous occasions he experienced during his studies at the London Metropolitan University, as well as his infamous love for football team Manchester United. One particularly moving moment was when the church was filled with an overwhelming sense of admiration as step-father Orin Lewis prompted the audience to salute his son with a standing ovation.

As the service drew to a close, Daniel’s casket, covered with a striking flower arrangement, was carried out accompanied by a special song by Elton John, marking the end of the brave young man that was Daniel De Gale.

PUBLISHED IN NEW NATION NEWSPAPER

HOPE for London Knife Crime

Thursday 23rd October 2008

With knife crime and gang culture rising in London, leaders are becoming increasingly desperate in finding ways to keep it under control. London Knife Crime: A Fresh Idea is a new initiative that is being set up in an attempt to combat the rising violence within inner-city youths.

Established by African-based foundation Campaign of HOPE who teamed up with Hackney Police and the Hackney Youth Offending Team, the enterprise aims to encourage gang culture youth from Hackney to attend a two-week outreach and discovery challenge in Lagos, Nigeria, with the hopes of a subsequent documentary, entitled Living the HOPE, to be released recording the extraordinary experience. The hopes are that the documentary will act as a tool to engage London youth in the unique journey, and help change lives and perceptions of London's knife crime culture.

Campaign of HOPE was set up by Kambani Arts, a non-profit organisation that supports under-represented African artists through cultural awareness initiatives. After the death of Rolabu Idowu in 2007, a paraplegic and member of Kambani Arts, the Rolabu Foundation was established in his name to champion disability in the arts. In aid of his foundation, a unique scheme has been set up in Nigeria to promote the base of the foundation set to be built by 2010 and entitled Centre for HOPE. This scheme aims to construct a centre from bricks pledged by supporters from around the world. With 'Bricks of HOPE' available to be purchased online at £5 each, the building will be entirely funded by pledgers, and will offer the names of the buyers and their location inscribed on each individual brick. What the Hackney Police and the Hackney Youth Offending Team aim to gain from this scheme is to encourage gang culture youth to go to Lagos and help construct the Centre for HOPE itself. Both British organisations are hoping that the scheme will prove to be an opportunity for a powerful documentary to highlight an alternative approach to the fight against knife crime in London.

Kambani Arts director Chima Ezeilo described the plans for the unique initiative as a 'distraction for the gang culture youth', and hopes the experience will 'refocus their thinking' upon their arrival back to the UK. Ezeilo explained that the scheme will involve five children, along with a supervisor, from the Hackney Youth Offending Team to reside for up to nine months in Lagos to help construct the Centre for HOPE, as well as be enlisted in an adventure pursuit trip during their stay. 'They will be exposed to life experiences in Nigeria, while having fun.' The children will be signed up to a strict activity timetable during the trip, and once they have returned to London they will be integrated into 'constructive forums' to recount their experiences to fellow youths.

London Knife Crime: A Fresh Idea is already garnering interest from families within Hackney, but Ezeilo admits that it will only make an impact if enough revenue is raised. Therefore, he is currently seeking funding from commissioning bodies, such as Channel 4 and the BBC, that may be interested in taking advantage of the Living the HOPE documentary. 'The most interesting aspect is the documentary. Having the opportunity to demonstrate an impacting experience and showcase it in the documentary can encourage others to take a similar path.'

Plans for London Knife Crime: A Fresh Idea are set for late 2009. For more information visit: www.campaignofhope.com, or call 07956 451 477.

WRITTEN FOR NEW NATION NEWSPAPER

Buzzword

Friday 17th October 2008


Bite of the Week
Cypress Hill are being sued for apparently biting another artist's beats. Soul singer Syl Johnson, is suing the Hip hop group for an astounding $29 million for allegedly using his beat in their song 'Lock Down' from album Black Sunday – released 15 years ago! Johnson claims the beat was stolen from his 1969 song 'Is It Because I'm Black', but waited almost two decades to speak up about it!


Creep of the Week
Rumours are flying about an alleged affair between singing sensation Rihanna and producer-turned-rapper Kanye West. Apparently, the two were spotted cuddling backstage at a T.I. concert in Hollywood, with the Barbadian sitting on West's lap as she sang along to the music, before they were caught in a full on lip lock! According to a source, onlookers were so shocked that they caused Rihanna to make a speedy exit back to her dressing room, escorted by her security guard.


Collab' of the Week
Jay-Z and Coldplay have teamed up once again to record a remix of the band's song 'Lost', now entitled 'Lost +'. The remix was debuted on Los Angeles KISS-FM radio show a few days ago, and is set be released on special album Prospekt's March, which features songs that didn't make it on Coldplay's Viva La Vida album. It seems since front-man Chris Martin's feature on Jay-Z's 'Beach Chair' in 2006, the two just can't get enough of each-other!


Party of the Week
To promote his forth coming album, 808 & Heartbreak, Kanye West threw a party in Los Angeles with an extra special twist – 40 naked models! West hired artist Vanessa Beecroft to set up the 'display' for his listening party, claiming the idea came as an attempt to break the rules, “I liked the idea of nudity, because in society they tell us to wear clothes at a certain point.” Whatever you say, Kanye!


Shame of the Week
Leona Lewis was the talk of the night at Wednesday's MOBO's, for causing the crowd to erupt in a fury of boos. The 23-year-old won two awards for Best Album and Best Video but was not present to receive them. Instead, she accepted the awards via a pre-recorded video message. The booing was so bad that host Mel B tried to calm the crowd by sticking up for the UK singing sensation, insisting, “It's not her fault that she can’t be here.” Tut-tut!

PUBLISHED IN NEW NATION NEWSPAPER

Black British Tourism

Thursday 16th October 2008

It has been alleged that when walking through London's city streets countless tales can be told of the black history that has unfolded under our very footsteps. People of African origin residing in Britain dates back to well over 2000 years, and according to a number of historians there are African and Caribbean influences throughout the city of London. Black historian Steve I. Martin is known to have traced a large degree of black heritage in London, but despite this many people are unaware of the influences their own culture has had in the city. Martin has claimed that if we were to throw a dart at any area of London we would find a black contribution to its past. However, he has also claimed that Londoners have a very narrow view of history.

Ken Martindale, chairman of the Black British Heritage organisation believes that our generation is unaware of black heritage within Britain, despite his claims that black people's history is intertwined with British history, “Black history represents one-third of British history, and it is not being taught. We must open the floodgate to release that knowledge.”

Due to the lack of emphasis on this issue, organisations are initiating in the hopes of promoting and educating the public about black British history. Various walks and tours around London have been introduced over the past few years that are intent on revealing black influences throughout the country. In addition to this, business leaders have launched tourism plans to develop London as a destination for 'black tourism', in order to attract a wider bracket of its current tourism. Editorial consultant Nana Ocran, who has contributed to a number of black focused London tourist books, claims that plans to increase attention on this issue is not to make a political statement, but rather to re-approach the ways in which black culture is currently being promoted.

New Nation searched the city for those such organisations that are intent on raising awareness of black history within the UK.

Organisations -

Black British Heritage
Chaired by Ken Martindale, this organisation aims to raise awareness of contributions made by black people to British society. The centre offers an easily accessible database of information about the British heritage of black people, and works closely with schools to promote black history as an extracurricular study. For more information, contact: info@black-british-heritage.com.

Tours -

500 Years of Black History
This historical walk, led by black historian and author Steve I. Martin, discovers facts about black history in London. Starting from Westminster City Hall, the tour reveals the influences black presence had in Westminster, as well as its history on the road to the abolition of slavery. For more information, call: 020 7641 8547.

Brixton Tours
Started in 2003 by Jay Brown, this one-hour community-lead walking tour offers the chance to sample the sounds, sights and smells of Brixton. With a journey around Europe's biggest indoor and outdoor markets, the tour includes a food tasting opportunity, along with a brief history of Brixton and its arts and culture. For more information, visit: www.brixtontours.co.uk, or call 01843 840737.

Notting Hill Hidden Histories
Run by the London Blue Badge and headed by LBC 97.3FM radio presenter Diane Burstein, this walking tour uncovers the history and diversity of London by exploring how African and Caribbean groups have contributed to the mix of the area. For more information, call: 020 7361 3204.


Exhibitions -

Keep Smiling Through
An exhibition at the Cuming Museum exploring the contributions made by black Londoners during the Second World War. Sponsored by the Heritage Lottery Fund, this exhibition uncovers stories from South London by exploring positive and negative experiences of black Londoners through rare photographs, music and film clips. For more information, visit: www.southwark.go.uk/cumingmuseum, or call 020 7525 2000.

Black Presence
This online exhibition held by The National Archives aims to reclaim black history in the UK by making it more widely known. By presenting a selection of records, including interactive learning journeys, images and transcripts, the exhibition features documents ranging from 1500 – 1850, highlight that people of African origin have lived in Britain for well over 2000 years. For more information, visit: www.nationalarchives.gov.uk/pathways/blackhistory.

Directories -

Visit London
This online directory offers a comprehensive list of African and Caribbean historical facts and events within London. For more information, visit: www.visitlondon.com.

Experience Black London: A Visitor's Guide
Launched at the British Visitors Centre in 2003, this book was published by black editorial consultant Nana Ocran as a user-friendly companion guide, offering a snapshot of black British culture with features written sections on African and Caribbean London history, as well as listings of arts and entertainment, eating out, seasonal events and shops and services. For more information, call: 07961 926 354.

WRITTEN FOR NEW NATION NEWSPAPER